Feast Your Eyes: The Phantom and the Rise of Classic Horror [Gods and Monsters]



In Bride of Frankenstein, Dr. Pretorius, performed by the inimitable Ernest Thesiger, raises his glass and proposes a toast to Colin Clive’s Henry Frankenstein—“to a brand new world of Gods and Monsters.” I invite you to affix me in exploring this world, specializing in American horror movies from the daybreak of the Common Monster motion pictures in 1931 to the collapse of the studio system and the rise of the brand new Hollywood rebels within the late 1960’s. With this era as our focus, and occasional ventures around the globe and to earlier and later occasions, we are going to discover this magnificent world of traditional horror.

Horror movies are as outdated as cinema itself and a few of the most notable pioneers in movie created them. Georges Méliès produced a number of brief horror movies, typically starring himself because the satan, together with The Haunted Citadel (1898) and The Damnation of Faust (1903)—which rivals his most iconic movie, A Journey to the Moon (1902), in imaginative and prescient and innovation—leaving lasting imprints on the style. Thomas Edison, inventor of the Kinetoscope movie digicam and, in some methods, the film business itself, produced a well-known model of Frankenstein (1910) that was thought misplaced for many years till lately unearthed. D.W. Griffith produced the Edgar Allan Poe-inspired movies The Sealed Room (1909) and The Avenging Conscience (1914), which draw largely from the story “The Inform-Story Coronary heart” and the poem “Annabelle Lee.” There have been at least three variations of Dr. Jekyll and Mr. Hyde, all of them brief one or two-reelers for Nickelodeons, produced earlier than the outbreak of World Conflict I.

However the trendy horror movie was born of fireside, blood, and metal.

Germany’s movie business rose from the ashes of The Nice Conflict, a horrifying flu pandemic, and devastating financial collapse. Limitations of assets necessitated inventive creativeness and ingenuity which led to the only most vital affect on horror, and maybe all movie, for a era: German Expressionism. Key horror movies within the motion embrace The Golem (1920), The Arms of Orlac (1924), and two movies from true cinematic trailblazer and grasp filmmaker F.W. Murnau, Nosferatu (1922) and Faust (1926) simply to call just a few. However essentially the most influential of all of them is Robert Weine’s The Cupboard of Dr. Caligari (1920), a genuinely modern, efficient, and creepy movie that has solid a particularly lengthy shadow over the previous 100 years of horror.

‘The Cupboard of Dr. Caligari’

In the meantime, again in america, the Twenties have been roaring, and the film enterprise was booming. Prohibition went into impact in January of 1920 and although many People discovered their means into the speakeasies (although maybe not as many as gangster photos of the ‘30s would have us imagine), many extra discovered their means into the frilly film palaces that had sprung up throughout the nation. Audiences flocked to see glamorous stars like Mary Pickford, Clara Bow, and Douglas Fairbanks in large finances spectacles; chuckle at Charlie Chaplin, Buster Keaton, and Harold Lloyd; and cry with Rudolph Valentino and Greta Garbo. Within the horror style, stage megastar John Barrymore could possibly be seen enjoying the lead duel function in one in every of two variations of Dr. Jekyll and Mr. Hyde launched in 1920. However essentially the most various actor of his time was the one they referred to as “The Man of a Thousand Faces”—Lon Chaney.

By 1925, Chaney was already an enormous star having labored his means up from bit components briefly movies (most of that are misplaced) to main and even starring roles in The Penalty (1920—the place he performs a double amputee), Oliver Twist (1922) as Fagin, and The Hunchback of Notre Dame (1923) as Quasimodo in an elaborate (and agonizing), full physique make-up. In these and others, he turned well-known for his potential to remodel his face and physique in methods which can be merely unimaginable at the moment, placing himself by means of excessive discomfort, even to the purpose of hospitalization, for his craft. Nonetheless, of all of the roles he ever performed, the one that continues to be essentially the most iconic is in Common’s lush 1925 manufacturing of The Phantom of the Opera.

Common spared no expense in bringing Gaston Leroux’s novel to the display. Studio head Carl Laemmle commissioned a full-scale set of the Paris Opera Home, which remained in use till it was rigorously deconstructed and positioned in storage, as Stage 28, the place it had stood for practically ninety years, was demolished in 2014. The movie is definitely within the custom of the large Hollywood spectacles of the period, however components of German Expressionism had discovered their method to additional shores by this time. The looming and exaggerated shadows, darkness creating the phantasm of cavernous areas, and the stylized gloomy cellars of the Phantom’s dwelling all discover their roots in that motion.

The Phantom of the Opera is stuffed with memorable set-pieces that stay spectacular to this present day. The early backstage scenes wherein the Phantom seems solely in silhouette, scary the refrain dancers, and the Masked Ball (filmed within the early and costly two-strip Technicolor course of), that sees the Phantom seem among the many revelers dressed because the Crimson Dying of Poe’s well-known story, stay eerie and ominous. The scene of the Phantom spying on lovers Raoul (Norman Kerry) and Christine (Mary Philbin), whom the Phantom deeply loves, from the angel statue on the roof is each epic and intimate, scary and heartbreaking. The collapse of the big chandelier onto the group under is a powerful impact and the chase by means of the cellars beneath the opera home into the streets of Paris stays an exciting and memorable sequence.

However the unmasking scene stands above all of them as the enduring emotional centerpiece of the movie. In some ways, this sequence mirrors the Biblical story of Adam and Eve’s fall from grace. Erik, the Phantom, leaves the slumbering Christine a word that reads, “you might be in no peril so long as you don’t contact my masks. You can be free so long as your love for the spirit of Erik overcomes your concern.” As she reads, Christine is stirred by the music Erik is enjoying on the organ and goes to him. However as he performs, his again to her, Christine is overcome by curiosity for the forbidden fruit of what lies beneath the masks and offers into temptation, snatching it off his face.

At this level, Chaney’s outstanding make-up, which had been saved secret from the general public, is revealed in closeup. This will need to have been as startling to audiences on the time as it’s to Christine within the movie. Erik turns, stuffed with rage, and cries out “feast your eyes, glut your soul on my accursed ugliness!” Christine pleads that the Phantom let her go. He agrees, however this god proves to be vengeful and jealous as he calls for that Christine by no means see Raoul once more or he’ll kill them each.

The scene nonetheless works fantastically. We really feel Christine’s concern and Erik’s rage, which supplies method to heartbreak at her betrayal and his private disgrace. Chaney’s make-up and talent to emote by means of it make this one of many really nice moments in all of horror. Chaney concurrently repels us and elicits our sympathy, simply as Karloff would six years later in Frankenstein; a testomony to the genius of the make-up designs and performances in each movies.

‘The Phantom of the Opera’

There have been many fantastic (and some not so nice) tellings of The Phantom of the Opera story, however this model nonetheless towers above all of them. Although made a number of years earlier than Carl Laemmle, Jr.’s profitable run of horror movies for the studio, I contemplate The Phantom the primary true Common Monster. As with the core movies of that period, The Phantom is a misunderstood outcast with an unforgettable look and make-up, performed by one of many nice style stars of the interval.

Chaney’s Phantom suits effortlessly into the pantheon alongside Lugosi’s Dracula, Karloff’s Frankenstein monster, and Lon Chaney, Jr.’s Wolf Man.

The movie is a testomony to the type of mythic, symbolic, and archetypical storytelling that people have been drawn to since they first started sharing tales round communal fires. It has echoed by means of the ages in all the things from Sophocles to Star Wars. A number of of those foundational components in Phantom would change into mainstays of Common horror movies for years, even many years to come back. The Phantom sleeps in a coffin within the huge, darkish cellars under the Paris Opera Home, very like Dracula within the dungeons of his fort. His line “if I’m the Phantom it’s as a result of man’s hatred has made me so” forebears Frankenstein’s monster—solely really a monster due to how the world mistreats him. After which there may be that mob with pitchforks and torches seen time and again over the many years. There’s even a contact of Creature from the Black Lagoon (1954) because the Phantom, respiration by means of a wood tube, hides underwater to capsize Raoul and Inspector Ledoux’s boat. Phantom might not have been the primary American horror movie, however it’s the first to deliver collectively so many components that may outline this era of American horror.

However as nice as these early movies are, all that is merely preamble to the fantastic new world of Gods and Monsters earlier than us. There’s a lot extra to see and focus on; from the timeless classics to the hidden gems of Common, Val Lewton, Roger Corman, William Citadel and extra. So, should you love monsters, large bugs, ghosts, mad scientists, and outdated darkish homes, that is the place for you. Now, I elevate my glass to you and hope that you’ll be a part of me within the toast.